May 2026

“MANOSPHERE”

If you hate misogyny, the manosphere and Andrew Tate, then Interrobang’s new single “Manosphere” is for you. Since it’s release in January it’s been getting a great response and has recently been selected for the ‘Sunderland Shorts Film Festival’ and ‘Brighton Rocks’. It was made thanks to a fantastic team in the north-east led by Michael Luke of the Tees Valley International Film Festival.

FEBRUARY 2026

“RETURN OF THE REBELS”

In February of this year (2026) I was delighted to work again with Jess Thom and Matthew Poutney of Touretteshero on Return of the Rebels, a joyful, inclusive event that invites audiences of all ages into a day of rebellious creativity, connection, and multi-sensory play. Throughout the day, audiences are invited to explore what rebellious, inclusive play can be through newly commissioned experiences by Christopher Samuel, Max Alexander, Mirabelle Haddon, BLINK Dance Theatre, and Oona and Chris Dooks.

january 2025

“accused:the fake grooming scandal”

In 2020, 18-year-old Ellie Williams posted on Facebook about being tortured and raped by an 'Asian grooming gang' in Barrow. The allegation ruptured community relations. But was it true? We made this series for CH4 in 2024 and released in January 2025. It was a harrowing and eye-opening experience but made with a team that remained professional and compassionate to everyone involved.

2023-2024

“AM I INVISIBLE YET?”

Building on the themes explored in “I Get Knocked Down”, we developed a stage production that evolved into a one-man show starring Chumbawamba’s Dunstan Bruce. What began as a small creative experiment soon grew beyond anything we had anticipated, taking us from intimate venues to theatres across the UK, Poland, and Germany.

It became an unexpected journey and an unforgettable adventure.

NOVEMBER 2022

My Dead Body premiered on Channel 4 last night, and the response has been overwhelming. The broadcast more than doubled the usual audience for its time slot, and today’s press reviews have been uniformly glowing, with the film earning four and five-star ratings across the board.

We couldn’t have hoped for a more powerful reception to Toni’s story and the lasting legacy she leaves behind.

march 2022

It’s time has come and I Get Knocked Down is flooding the festival scene in 2022. Full update to follow but this week we kick off with our North American premiere at SXSW! Dunstan, Babyhead, Ollie (DoP) and Nick (Composer) are out there hitting the streets of Austin,Texas to bring our film to the US market.

september 2021

More excitement for Surgeon’s Cut! This time and Emmy for Outstanding Science and Technology Documentary. Incredible scenes!

june 2020

JUNE 6th

Excited to share the news that The Surgeon’s Cut won a BAFTA tonight for best Specialist Factual series! Huge celebrations all round!!

MAY 2021

The next stage of the adventure has arrived for ‘I Get Knocked Down’. Not only have the extraordinary ‘Halo Post’ come on board to help get our film finished and made it look and sound superb but we’ve also been selected to have our UK Premiere at Sheffield Film Festival in June. We hope that it won’t be long until we’re able to share this labour of love with you all!

DECEMBER 2020

DECEMBER 10th:

Proud to announce the release of The Surgeon’s Cut now available to watch on Netflix. We had the great honour to make a film about Dr Nancy Ascher, transplant surgeon extraordinaire from San Francisco. Nancy broke the glass ceiling when she became the first woman in the world to perform a liver transplant surgery . The film tells her story of growing up with an intellectual family, her feminism and the determination she embraced to perfect her craft as a surgeon. She has paved the way for women in medicine and is one of the most intelligent and funny people I have met, with the biggest heart.

Wall Street Journal “What the program’s four directors create—let’s call it a minor miracle—is something that does justice to their subjects. The astonishments in the four-part production are manifold—the surgeries, of course, but the stories, too. ... Fittingly, the series exhibits the kind of confidence you want in a doctor. There’s no sales pitch happening. In fact, the viewer feels privileged to be given such an intimate visit with such remarkable people.”